Confluence SF Conference Pittsburgh 2020
Introduction
They canceled Confluence SF Conference Pittsburgh 2020 because of COVID-19. They had planned to hold confluence 2020 from July 24 to 26, 2020 with author guest of honor Martha Wells. I plan to go to Confluence from July 23 to July 25, 2021. They held a virtual conference called C’monfluence the Novelization 2020, from October 2 to October 4. The Guest of Honor was Martha Wells. I attended the conference virtually. Programming began on Friday, October 2 at 10 AM and concluded on Sunday, October 4 at 4:25 PM.
I also attended the conference in 2016, 2017, 2018, and 2019. The Parsec organization of Pittsburgh runs the literary science fiction, fantasy, and horror conference. The events included panels, readings, interviews, writing workshops, and filk concerts. They held the conference on four tracks, so they held up to four activities at the same time. They held each event on Zoom, and the attendees had to register for each event to attend the event. I attended the opening ceremony, five panels, three readings, one presentation, the guest of honor presentation, and the conference breakdown.
Videos of the conference are found at the confluence-SFF you tube channel linked below.
https://www.youtube.com/channel/UC37uvCJAKMsSf2rh-NlBDSQ/videos
The link to the Confluence website.
http://parsec-sff.org/confluence/
Summary for Confluence SF Conference Pittsburgh 2020
Friday, October 2nd at 7 PM
A reading by Marie Vibbert.
Marie read from her novel Galactic Hellcats, which will be released in March 2021. The novel is a story about a female biker gang in outer space, saving a gay prince.
She read four chapters that she selected because each introduced one of her four principal characters; Key, Margo, Zuaka, and the Prince.
The reading had a lot of action and the characters were distinctive. Sounds like a fun book to read next year.
This is the Goodreads link to Galactic Hellcats.
https://www.goodreads.com/book/show/53388150-galactic-hellcats
They held the reading on Track 3: Kish Karad with 15 attendees.
Friday, October 2nd at 9 PM
The opening ceremonies featuring Guest of Honor, Martha Wells.
Kevin Hayes introduced Martha Wells and read her bio. Diane Turnshek talked about the anthology book Triangulation: Extinction which she edited and was sponsored by the Parsec group which is also a sponsor of Confluence. Kevin read off the planned events for the conference. Karen Yun-Lutz mentioned that SFWA is a sponsor for the conference. Greg Clumpner talked about the forums on Discord which were open for panelists and attendees to mingle on when they were not attending an activity.
The opening presentation ended with a short interview with Martha Wells. Martha said she wrote the first book in the Murderbot series because she needed some place to put her anger. She said it disappointed her that they postponed the conference in July because she had wanted to explore sites in Pittsburgh this year. She said she had been to Pittsburgh twice to attend the Nebula Awards, but hadn’t had the opportunity to explore the city at that time.
They held the opening ceremonies on Track 1: Sanctuary Moon.
Saturday, October 3rd at 10:30 AM
A Reading by Brandon McNulty.
Brandon read three chapters from his novel Bad Parts that was published on June 23, 2020. It is subtitled a supernatural thriller. In chapter one, Mac is 70 years old and has failing kidneys. In chapter two, Ash Hudson is the lead guitar player in a heavy metal band named Bad Parts. She has to find her lead singer and replace her rhythm guitarist to play the show they have scheduled for that night. In chapter three, they play the show and load up their gear in the van. Some scary dude tails them. How are they going to getaway?
It sounds like an interesting book. I have put it on my want-to-read list on Goodreads.
This is the Goodreads link for Bad Parts.
https://www.goodreads.com/book/show/53447482-bad-parts
They held the reading on Track 3: Kish Karad with 6 attendees.
Saturday, October 3rd at 12 PM
Where Does Your World Come From? Panel with Michelle Sagara. Joe Haldeman, Aliette de Bodard, and Tobias Buckell.
Michelle Sagara was the moderator. Her first question to the panel was; where do your worlds come from? They talked about how they got their ideas. Do you build the story to the world or do you build the world to the story? It comes down to the concept that world-building and characterization are intertwined. How had your education, other work experiences, and travel influenced your writing? The answers show that their background influences their writing. How has the pandemic affected your writing? Inconclusive. Is there a difference in world-building between a short story versus a novel? The answers varied.
The moderator’s questions were interesting and the responses from the panel were instructive to an attendee who is a writer.
They held the panel on Track 1: Sanctuary Moon.
This is a link for the you tube video for the panel.
Saturday, October 3rd at 2 PM
The Business of Writing panel with Gay Haldeman, Neil Clarke, Gail Carriger, Tamora Pierce, and Herb Kauderer.
Gay Haldeman was the moderator. She asked questions about the business of writing. The panel related their experiences. Some interesting responses followed. Read your contracts. Don’t be discouraged by rejections. Review guidelines when submitting work every time. Consider Patreon. Work on your social media platform. Everything is tax deductible for a writer. When submitting short fiction start at the top of the market and work your way down. Most agents and editors want a rewrite, so be ready for the rewrite and be flexible. Set up a literary estate.
They held the panel on Track 1: Sanctuary Moon.
This is a link for the you tube video for the panel.
Saturday, October 3rd at 3 PM
An interview with Guest of Honor Martha Wells conducted by Wenmimareba Klobah Collins.
Wenmimareba asks Martha questions, and she answered them. Martha talked about the differences in writing Murderbot, an SF story, in close first person, and her fantasy stories in the third person. She takes about three months to write a Murderbot novella. Fugitive Telemetry is finished, and she doesn’t know what she will write next. Martha doesn’t enjoy plotting; she writes as a pantser. She doesn’t want to figure out too much beforehand because she doesn’t want to get bored with the story before she finishes it.
The interviewer asked for the author’s book recommendations. Some recommendations were: Unconquerable Sun by Kate Elliott, When the Tiger Came Down the Mountain by Nghi Vo, and The Best of all Possible Worlds by Karen Lord.
I enjoyed getting to know more about the author’s writing process and thoughts about writing.
They held the interview on Track 1: Sanctuary Moon.
This is a link for the you tube video for the interview.
Saturday, October 3rd at 4 PM
A reading by Guest of Honor Martha Wells.
Martha Wells read from her novella, Fugitive Telemetry.
Fugitive Telemetry is a prequel to the Murderbot novel, Network Effect.
She read Chapter One of the novella first. Dr. Mensa has hired Murderbot as a consultant for her on Preservation Station. There has been a murder and Murderbot evaluates the scene.
She read Chapter Three next. Murderbot has to connect to the Preservation Station network and must tell as little of the truth as Murderbot can. This is Murderbot’s first job as a consultant. At the end of the meeting, Murderbot walks with Dr. Mensa.
The channel moderator asked two questions with the time remaining. Martha talked about how her Murderbot short story from May 2020 on Tor.com (Home: Habitat, Range, Niche, Territory) was given to people who pre-ordered Network Effect.
The reason she wrote this prequel was because she wanted to show how Preservation Station would function with Sec Unit Murderbot working as a consultant.
This is the link to Fugitive Telemetry (The Murderbot Diaries #6) by Martha Wells, published on April 27, 2021.
https://www.goodreads.com/book/show/53205854-fugitive-telemetry
They held the reading on Track 1: Sanctuary Moon with 45 attendees at the start building to a maximum of 58 attendees.
Saturday, October 3rd at 5 PM
Standing on the Shoulders of Giants panel with Marie Vibbert, Joe Haldeman, Bud Sparhawk, and Steven H. Silver.
Marie Vibbert was the moderator. A few questions posed as follows. Is there an SF canon? The answer is; There is a canon, but it doesn’t matter anymore, because the next generation responds to the ideas of the canon without reading the canon. Do you read outside the genre? Reading outside the genre helps you to grow as a writer.
At the end of the panel, they fielded questions from the audience. What are the examples of the lost works of early SF? Examples are Clare Winger Harris and Stanley G. Weinbaum. Who are the giants now? Some authors mentioned were N. K. Jemisin, Martha Wells, Mary Robinette Kowal, and Rebecca Roanhorse.
I checked out a letter that Clare Winger Harris wrote to Wonder Stories in August 1938 on her sixteen plots in SF. Interesting reading. I found a link below.
http://www.openculture.com/2020/08/every-possible-kind-of-science-fiction-story-1931.html
I took The Artificial Man and other Stories by Clare Winger Harris out from the library. It collects ten of her best short stories. Goodreads link below.
https://www.goodreads.com/book/show/44304225-the-artificial-man-and-other-stories
They held the panel on Track 1: Sanctuary Moon.
This is a link for the you tube video for the panel.
Sunday, October 4th at 10 AM
I Sing the Plotting Electric panel with Geoffrey Landis, Bud Sparhawk, Joe Haldeman, Bo Balder, and Scot Noel.
Geoffrey Landis was the moderator. He asked the questions, and the panel gave the answers. The panel was a look at the resurgence of space opera. Space opera came from the pulp SF stories of authors like E.E. ‘Doc’ Smith, Edmond Hamilton, Leigh Brackett, and Edgar Rice Burroughs. The term was an extrapolation of the western horse opera to the SF space opera. It began as a derogatory term, but that changed over time as more authors used the trope.
Why do you think there has been a resurgence of space opera? There is a frontier feeling to the stories, a chance for the characters to reinvent their selves. It brings back an old-style plot, good versus evil. With commercial space opening up with Space-X and Virgin Galactic, it stimulates the need for space opera.
They held the panel on Track 2: Opal Night with 28 attendees.
Sunday, October 4th at 11 AM
Let’s get series-ish panel with Michelle Sagara, Martha Wells, Robert Angell, and Jennifer Foehner.
Robert Angell was the moderator. He asked questions, and the panel answered them. What are the pitfalls and pluses? What is it about the stories that dictate the need for more stories? Do the characters demand it, or is there just no end to plots?
They held the panel on Track 1: Sanctuary Moon.
Sunday, October 4th at 1 PM
Mission to Triton presentation given by Geoffrey Landis.
Geoffrey Landis is an aerospace engineer who works for NASA. He presented his proposed future mission to Triton, the largest moon of Neptune. It is an interesting moon that has only been visited once on a fly-by from the Voyager-2 probe in 1989. Triton might be like Pluto, a captured Kuiper Belt Object (KBO) created when the solar system formed. Triton’s mountains are made of water ice, it orbits Neptune in a retrograde orbit, and its pink color is from complex organic molecules on its surface.
When brainstorming the project, he determined that the mission should use the resources of Triton for a long term mission. The vehicle will land on Triton and hop from site to site using a radioisotope powered rocket. Each probe hop would be 5 km each and use Nitrogen as fuel. The probe will do core drills in the Nitrogen ice and test the cores.
The presentation ended with questions from the audience.
They held the presentation on Track 1: Sanctuary Moon.
This is a link for the you tube video for the presentation.
Sunday, October 4th at 4 PM
C’monfluence Breakdown with the Con Committee; Karen Yun-Lutz, Kevin Hayes, John Thompson, Heidi Pilewski, and Diane Turnshek. Also, the tech guy, Greg Clumpner.
They learned a lot about presenting their first virtual conference. Discord was an essential area for discussion before and after the presentations.
There were some challenges. Panelists’ time zones were different, preventing Zoom bombers, and there wasn’t enough staff to monitor a potential Zoom meeting room. Time remaining flashes at the ten minutes and five minutes to go was distracting to the panelists and the attendees. The webinars went very well, the meetings were iffy, and the readings were bad, the lesson learned.
The Kaffeeklatsches had a 15-attendee max, but only 20% were full. Workshops were the most attended panels. A component of the next conference could be virtual because of the success this year of the virtual conference.
They held the presentation on Track 2: Opal Night with 21 attendees at the start building to 24 attendees.
Conclusion for Confluence SF Conference Pittsburgh 2020
I’m glad that they could hold the Confluence SF Conference Pittsburgh 2020 virtually. My star of the con was Guest of Honor, Martha Wells. I viewed her at the opening ceremonies, an interview, a reading, and on a panel. She was interesting and entertaining in every activity that I attended. She was named the Guest of Honor before they postponed the conference, and she remained the GOH for the virtual conference.
I attended the opening ceremony, five panels, three readings, one presentation, the guest of honor presentation, and the conference breakdown. My other highlights were the Triton Presentation by Geoffrey Landis and the SF influences panel. (because it led me to Clare Winger Harris’s sixteen SF plots.) I also attended Confluence in 2016, 2017, 2018, and 2019 and plan to return in 2021. They will hold confluence 2021 from July 23 to 25, 2021.
Links for Confluence SF Conference Pittsburgh 2020
Recap for the Confluence SF Conference on July 30 and July 31, 2016, at the Sheraton Pittsburgh Airport Hotel. I attended 15 panels and the U.S.S. Improvise improv sketch comedy routine.
They held the Confluence Conference from August 4 to August 6, 2017, at the Sheraton Pittsburgh Airport Hotel. I attended seven panels, one writing workshop, one author reading, and the guests of honor presentation.
They held the Confluence Conference from July 27, 2018, to July 29, 2018, at the Sheraton Pittsburgh Airport Hotel. I attended two lectures, two panels, one fiction writing seminar, one author reading, and the guest of honor presentation.
Recap for the Confluence SF Conference Pittsburgh on July 27 & 28, 2019, at the Sheraton Pittsburgh Airport Hotel. I also attended Confluence in 2016, 2017, and 2018. I attended five panels, two fiction writing workshops, and the guest of honor presentation.
